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August 28th, 2023 Public release.


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Books About Hypnotism

A bibliography compiled by catherine yronwode
Part Two

copyright 2022
Yronwode Institution for the Preservation and Popularization of Indigenous Ethnomagicology
(Y.I.P.P.I.E.)
The Hypnotism, Mesmerism, Auto-Suggestion, Hypnosis, Self-Hypnosis Bibliography is copyright 2022 by the Yronwode Institution for the Preservation and Popularization of Indigenous Ethnomagicology (Y.I.P.P.I.E.), and all rights are reserved. In other words, you may download The Hypnotism Bibliography and print it out at home for your own use, but you may not further copy it, because the copyright holder controls the copying rights. Specifically, you may not mirror The Hypnotism Bibliography to other web sites, you may not distribute it or publish it in print form (either for money or for free), and you may not electronically distribute it in e-lists, electronic forums, social media groups, or usenet (either for money or for free) without the express written permission of the copyright holder.

Thanks to my Patreon Supporters

This bibliography is still growing, while the pile of hypnotism books on the left-side pull-out of my desk shrinks. I would not have undertaken this enormous task if someone else had already done it -- but no one has. The URL you are reading it at now is TEMPORARY. I will write several more parts to this bibliography for my Patrons on individual pages like this, and these will open to the public after one year, thanks to your kind financial support. I will compile all of the pages into one long page and unveil it to the public, with a new URL, at the Yronwode.org home page.

Compiler's Notes on the Contents of This Bibliography:

Books are listed alphabetically by author's surname, but if an author has more than one title, the books for that author are in chronological order by publication date.

Hypnotism Bibliography Part One

Hypnotism Bibliography Part Two

Hypnotism Bibliography Part Three

Hypnotism Bibliography Part Four

For more information on hypnosis, click this link to read a brief article i wrote about hypnotism for the Association of Independent Readers and Rootworkers in 2021:

"Hypnosis Coaching and Training" by cat yronwode

The URL you are reading it at now is TEMPORARY. I will write several more parts to this bibliography for my Patrons on individual pages like this, and these will open to the public after one year, thanks to your kind financial support. I will compile all of the pages into one long page and unveil it to the public, with a new URL, at the Yronwode.org home page.

BOOK TITLES


Eldridge, Edward Henry. Hypnotism: What It Is, What It Can Do, How to Use It: a Full and Complete Course of Instruction for Entertainment and the Scientific Treatment of Physical and Mental Diseases
1900.
96 pages.
Also also issued as
Edward Henry Eldridge. Practical Hypnotism: A Complete System of Method Abridged: What It Is, What It Can Do, and How to Use It: No. 9.
"Copyrighted 1914, Kerner and Getts." L. & M. Ottenheimer, Baltimore. 1914 [?]

I have not yet found a copy of the original 96 page book from 1900 or the "Abridged" version from 1914, but here is a photo of a totally thrashed copy of the latter. I do not know what "No. 9" refers to, but it appears on both the cover and title page of of the Ottenheimer edition. I do not know who "Kerner and Getts" were. See also Eldridge's later title, the 198 page "Hypnotism: Its Uses and Abuses" from 1902. Perhaps the second book incorporates the first; perhaps they are entirely different. Any help on this conundrum would be appreciated.

This book is not to be confused with the identically-titled 33 page pamphlet "Practical Hypnotism" by Ed Wolff.


Eldrige, Edward Henry. Hypnotism: Its Uses and Abuses, Together with Full and Complete Directions Showing How Any One Can Learn to Hypnotize.
The Penn Publishing Company, Philadelphia. 1902, 1903, 1910, 1918
198 pages. Hardcover, octavo, pictorial binding in variant colours according to edition, some editions with dust wrappers.

In its the time, "Hypnotism" by Edward Henry Eldridge went through many printings with pictorial bindings in variant colours according to the edition, and some editions also come with dust jackets. As the many printings demonstrate, it was extremely popular during the early 20th century and it is therefore not at all surprising that it is available in both pdf and print-on-demand forms in the 21st century.


Gibson, Walter Brown. The Key to Hypnotism.
Key Publishing Company, New York, NY, 1956.
96 pages. Paperback, illustrated with photographs.

Wonderful though he was as a writer, Walter B. Gibson (1897-1985) had singularly bad luck when it came to the art departments of his publishers. As noted below, his immensely useful book "Hypnotism Through the Ages" was covered by "one of the ugliest dustwrappers in the history of printing," and as it so happens, this paperback must also be in the running for the top ten ugliest covers of books on hypnosis.

Unlike the general-interest "Hypnotism Through the Ages," here we have a more specialized view. Gibson positions himself not only as a member of the American Society for Psychical Research, he also notes on the title page that he is not only the author of "Houdini's Escapes," "Houdini's Magic," "The Book of Secrets," "Human Enigmas," "&c., &c.," but he is also the "producer and narrator of American Broadcasting Company's program 'Strange,' the vice-president of the Magician's Guild of America, and past president of the Philadelphia Assembly, Society of American Magicians." In other words, this book is for those who would know him by his stage magic creds.

Some of the historical research he later incorporated into "Hypnotism Through the Ages" is broached here, and takes up the first half of the book, but the rest of the text is devoted to a brilliant catalogue of the various methods used to put a person into a hypnotic trance, including passes with the hands, candle light, shiny objects, a focussed gaze, and more. In some cases, explanatory quotes from the original authors are included. Post-Hypnotic suggestion, as used on the stage, gets its due, and there are pages upon pages of creative examples of stage and private office patter and scripts to use when fascinating a subject.

Most remarkably of all, this book is illustrated with extensive photos, modelled after the 19th and early 20th century Svengalo-and-Trilby style images found in the classic books that Gibson loved -- and they are all posed by none other than ... The Amazing Randi! There is even a black boxed shout-out on page 54 in which Randi (Randall James Hamilton Zwinge; 1928 – 2020) is promoted as a "famous challenge escape artist and professional hypnotist." In 1956 Randi broke Houdini's record time for burial in a submerged coffin and Gibson attributes his success to auto-hypnosis. Randi appears throughout the book and on the cover in a formal long-tailed cutaway tuxedo, all of 28 years old, with an almost full head of hair. This was before he set up an alternate career as a professional debunker and grouch, of course. So, although this is a book that may confuse novices or those who do not like the fact that stage magicians use hypnotism to good effect, it is a rare treasure, if only for the sharp laugh it will evoke among the anti-Randians who stumble upon it unawares. No magicians's library should be without it!


Gibson, Walter Brown. Hypnotism Through the Ages.
Vista House Publishers New York. 1961
124 pages Hardcover with dust jacket; also paperback
Reissued as Hypnotism; What It Is, How It Is Done; Its Uses; Different Methods; Experiments and Case Histories
Grosset & Dunlap, New York. 1969
Castle Books, New York. 1970.

Walter B. Gibson was an author and professional magician best known for writing the pulp fiction character The Shadow. Under the pen-name Maxwell Grant, he crafted more than 300 Shadow novels, at the rate of up to 10,000 words a day during the 1930s and 1940s. Under his own name he also wrote non-fiction books on occult, metaphysical, and magical subjects.

I love Walter B. Gibson's writing, and i liked him too, having met him several times at conventions during a period of renewed interest in his work as the author of "The Shadow." Like his famous fictional character he wore a sparkling girasol opal ring and "had the power to cloud men's minds so they could not see him." Yes, the Shadow -- and his author, Walter B. Gibson -- were both hypnotists!

Despite being shrouded by one of the ugliest dustwrappers in the history of printing (signed, no less, by a graphic designer named "Weinstein"), "Hypnotism Through the Ages" is an important work on the subject. Gibson, obviously a bibliophile himself, had access to all of the great books on hypnotism from the mid 19th to mid-20th centuries, and he did an amazing job of summarizing their salient points, including their agreements and dissensions. The sheer amount of research that went into making this overview is astounding, and Gibson gives you the better-than-Cliff-notes version of a full century of hypnotism -- and more, because he also takes you on a multi-millennium-spanning hypnotic tour through time, from the Pharaohs through Paracelsus and from the Tarantella dance craze to Trilby and Svengali. So this is pretty much a must-have item for any would-be hypnotist.

For a thorough bibliography of the many, many works of Walter B. Gibson, see "Man of Magic & Mystery; A Guide to the Work of Walter B. Gibson" by J. Randolph Cox (1988; Scarecrow Press, Metuchen, NJ).


Sage, Xenophon Lamotte. Hypnotism As It Is: A Book for Everybody.
New York State Publishing Co., Rochester, NY, 1897, 1st ed.
116 pages Binding. Pictorial cover, illustrated with many photos.
6th ed. "150,000th thousand printed," 1901, hardcover, royal blue pebbled cloth, gilt spine title.

X. Lamotte Sage was "formerly Professor in Pierce College, Philadelphia Pa., and Professor in Central College, Sedalia, Mo." His writing is clear and precise, and although this book is slender, it covers the topic thoroughly, from a personal perspective, for Professor Sage states that he has hypnotized thousands of people.

His view point is primarily neurological, psychological, and medical; he wants to discuss hypnosis in relation to, and in contrast with, other mental states, including sleep, delusion, self-awareness, amnesia, and the like. He presents avenues of experimentation which he believes will prove hypnotism's medical efficacy, particularly in treating nervous disorders or the aftermath of mental shocks, as well as in the operating room, as a substitute for, or an adjunct to, conventional anesthesiology.

Throughout it all, Professor Sage presents a moderated, fact-based, rationalist's case for hypnotism. It's a brief read, but i recommend it highly, because the author seeks to place the study of hypnotism and post-hypnotic suggestibility among the sciences rather than treat it as a mere entertainment or relegate it to the spheres of spiritism or paranormality.

This book is long out of copyright and may be found online in digitized form as well as from print-on-demand publishers. For all the boasts that there had been 150,000 copies printed within four years of its original release, it remains an uncommon volume, although not a terribly expensive one in the antiquarian book trade. The photographs, which demonstrate various methods of placing subjects in a trance, are very good and may make collecting an original edition worthwhile to the serious student, because reprints generally lose a lot of clarity when an attempt is made to copy old half-toned photographs.

My favourite photo in this book is the first one in chapter one, titled "Ada St. Clair singing 'Ben Bolt' while hypnotized by Dr. Flint"! My God, what an evocative image and caption that is -- and so, so, so 1897!

In fact, this captioned photo opens so many rabbit holes that i can only direct you to watch for an upcoming page that i call, "Oh, Don't You Remember Svengali, Ben Bolt?"


Wolff, Ed [Edwin D. Wolff]. Practical Hypnotism.
Max Holden, New York City, NY., 1936; Hardcover, green cloth with tipped-on paper title.
Louis Tannen / Tannen's Magic, New York City, NY., 1937, etc.; illustrated white wraps; cover art and lettering signed "Ed Mishell."
D. Robbins, Brooklyn, NY., 1951; stated "3rd printing;" plain cyan cover, no cover art.
Max Holden, New York City, NY., 1951, stated "4th printing;" plain cyan cover, no cover art.
D. Robbins, Brooklyn, NY. 1976 - 2003; illustrated wraps; cover art signed "Ed Mishell" -- at first with his lettering, but by 2003, the hand-lettering had been replaced by a jagged Letraset font and the original Ben Day screen was overlaid by a Letraset fake Ben Day screen.
34 pages. Hardcover green cloth; Paper wraps on white or light blue stock, with or without Ed Michell art and lettering, depending on the publisher and the edition.

Edwin D. "Ed" Wolff (1881 - 1962) was born in San Antonio, Texas. He married and settled down to run an advertising agency, Wolff Associates, in Rochester, New York. In 1929, at the age of 48, he began performing stage magic. He released "Practical Hypnotism" in 1936 and stated in the book that his address was 19 Vassar Street in Rochester. He died at the age of 81 in Long Beach, California.

"Practical Hypnotism" covers the methods used by stage magicians to select good trance subjecs from among the members of a theater audience, and to give them suggestions for physical actions that will provide harmless amusement to those who view the show. One of its interesting points is the cover, which shows an early version of an electrical, spinning spiral disc -- sometimes called a hypno-disc -- of the kind made famous during the 1950s by the hypnotist Melvin Powers.

Publisher's blurb: "This complete mini-course in hypnotism starts with the assumption that the reader knows nothing about the subject at all and then rapidly leads him, step by step, to the point where he can hypnotize perfect strangers. It is succinct, no nonsense and unpadded. Its slim 33 pages are jammed with the essential information one needs to become successful in the art of hypnotism. In the first section, comprised of eight lessons, Mr. Wolff stresses strongly that you achieve the goals in each chapter before increasing your skills. In these chapters he teaches many “tests” and various ways to hypnotize. In the second part of the book post-hypnotic suggestion and the legal use of hypnotism by doctors and dentists is discussed. The book ends with an introductory lecture to staging an act and gives suggestions as to what tests and demonstrations to use."

This 34 page booklet is not to be confused with the identically-titled 96 page book "Practical Hypnotism" by Edward Henry Eldridge.

Ed Mishell (1896-1983) who drew the cover image and provided lovely art deco lettering for the later paper-bpund editions, was a lawyer, writer, illustrator, and magician from New Jersey who illustrated magic catalogues and booklets for Louis Tannen. The Max Holden first edition hardcover contains no mention of the hypno-disc shown on Mishells Svengali-and-Trilby style cover, but text describing it was added after the Mishell cover was put into play. In the first edition, all of the illustrations are placed on one page, and consist of Photos of Wolff and amateurish cartoons, probably by Wolff himself. The later D. Robbins editions are re-typeset, with the photos eliminated, the cartoon illustrations distributed throughout the text, and Ed Mishell's cover lettering replaced by a 1970s Letraset font.

Wolff's little course has been kept in print in small runs by various magic shops for decades and is also available in digital form via the online stage magic community.


Young, L. E. [Mrs. Lou Ella Young]. The Science of Hypnotism - The Wonder of the 20th Century - All Known Methods Explained - The Way to Become an Expert Operator
Diamond Publishing Co., Palmyra, PA., 1899. 1st hardcover edition. 12mo. Pictorial binding 320pp.
Occult Science Association, New York, NY, 1899. Illustrated red paper wraps, 252 pages.
Educator Press, New York, New York, U.S.A., 1899 Paperback.
Franklin Publishing Company, Chicago, 1930. 2nd printing.. Hardcover. 8vo, green cloth.
Franklin Publishing Company, Chicago, 1931 Third printing. Hardcover, 8vo, red cloth
Revised Edition by Young & Dr. Leon H. Zeller, Ph.D.
I. & M. Ottenheimer, Baltimore, 1947 Revised Edition. Red Cloth -- also Paperback
I. & M. Ottenheimer, Baltimore, 1948 Revised Edition. Yan Cloth
Also Blue cloth boards, black titles.
Revised Edition by Young and Melvin Powers
I. & M. Ottenheimer, Baltimore, 1953. Hardcover with Dust Jacket

One of the best-distributed American books on hypnotism, Mrs. Young's magnum opus was published in a variety of bindings, both hardcover and paperback, with page counts that varied from 247 or 252 pages up to 320 pages. The title varied a bit over time as well.

Because it is now a relatively rare book and highly desired in any form, i have been unable to collect and compare the variants, and my reports are based on the two copies i have and on many seller listings in the antiquarian book trade. Readers on a budget may be glad to know that this book is available from several print-on-demand publishers and is also online for free in digitized form.

So what is so special about "The Science of Hypnotism - The Wonder of the 20th Century"? Well, for starters, there are eight historical chapters on the varied European schools of hypnotism, from Braid through the Nancy School and Dr. Liebault to Charcot at La Salpetriere, Dr. Burq, Dr. Luys at the School of the Hospital de la Charite, Gurney, Lord Tucky, Ralph Vinvent Donayo, Dr. Bremaud, Abbot Faria, Carl Saxtus, Professor Berheim, Professor Gregory, Dr. Moll, and more. There is also an excellent bibliography of all of the original 19th century works on hypnotism, both in English and in French, from which the author drew information for summarization here. Young laid it all out, saving the reader the trouble of having to learn French. And make no mistake -- this is the book that Walter B. Gibson consulted when he wrote his book, "Hypnotism Through the Ages."

After the history and medical opinions, Young gets right into the many methods of hypnotic induction taught by the eminent worthies of yore, and this is what earns this 1899 book the forward-looking subtitle, "The Wonder of the 20th Century." Young knew that hypnotism was crashing upon America's shores like a tidal wave, and provided the life raft that was needed for newcomers to the practice to stay afloat amidst the many competing theories and methods. And Young covers them all, from scientific and medical hypnosis to psychological and psychiatric hypnosis, and, yes, thought transference, mental telepathy, suggestion, and auto-suggestion. This was an admirable book when it was published, and it remains an admirable, and surprisingly readable, book to this day, more than 120 years after it was first released. It also gave rise to our next entry, which long ago outpaced it in sales.


Young, L. E. [Mrs. Lou Ella Young]. 25 Lessons In Hypnotism: How to Become an Expert Operator
M. Young, 1899.
36 pages. red paper wraps.
Franklin Publishing Co. / Padell Book Co., New York, 1935.
64 pages. Saddle-stitched, pale yellow paper wraps. (58 pages of of original text, 6 pages of new text by an uncredited writer.)
Johnson-Smith and Company, Detroit, undated, circa 1938.
64 pages (32 pages plus 32 page of ads for novelty goods and booklets). Square-bound, grey paper wraps
Top Hat Magic Company, Evanston, Illinois, undated, circa 1950 - 1960.
36 pages. side-stitched pamphlet.

This popular pamphlet has a complex history. It was not designed as a stand-alone booklet, but rather as a handy pocket-size adjunct to Mrs. Lou Ella Young's comprehensive 252 page book, "The Science of Hypnotism," also published in 1899. She and "M. Young," whose photographic portrait appears in the larger book, were among among the first American authors to translate and summarize the extensive corpus of 19th century European publications on mesmerism and hypnosis. This booklet, by removing most of the history and theory contained in "The Science of Hypnotism," was aimed at the popular occult, metaphysical, scientific, spiritual, and entertainment communities, and in this objective it succeeds admirably, its printing history long outlasting that of the book upon which it was based.

There have been at least half a dozen editions of "25 Lessons in Hypnotism" issued by as many publishers in the past 120-plus years. The editorial text revisions, variant typesetting, and changes in cover art (or lack thereof) show that many hands have touched this work since its copyright was not renewed and it entered the public domain, circa 1928. As far as i know, it has never been out of print, and it well deserves that status, for it is a true classic.

On the original 1899 edition with the red wraps, the title given on the cover is "25 Lessons In Hypnotism: How to Become an Expert Operator," and a longer subtitle on the title page identifies the booklet as "25 Lessons in Hypnotism, Being the Most Perfect, Complete, Easily Learned and Comprehensive COURSE in the World, Embracing the Science of Magnetic Healing, Telepathy, Mind Reading, Clairvoyant Hypnosis, Mesmerism, Animal Magnetism, Thought Transference, Personal Magnetism and Kindred Sciences." The running head on each page is "Young's Lessons in Hypnotism." The cover art is a cropped version of Figure 6 from "The Science of Hypnotism," showing group-hypnosis in a stage context; in order to fit the narrower designated space here, the woman at the far right of the group has been removed. This booklet was not typeset to match "The Science of Hypnotism," but seems to have been handled by a job-printer who had some wonderful old 19th century fonts on hand. There are textual references not only to "The Science of Hypnotism," but even to page numbers within the bigger book for the reader to consult. These are removed in subsequent editions.

The pale yellow cover shown here is from the most popular variant of the booklet, and this example depicts the first printing of this edition, from Franklin Publishing / Padell Book Co., of New York in 1935. The uncredited cover artist utilizs the stereotypical Svengali-and-Trilby image of a man hypnotizing a woman, which became quite popular on cheap hypnotism books iduring the ' first half of the 20th century. The text has been newly typeset and amended to remove references to page numbers in "The Science of Hypnotism," although the book itself is still mentioned. There are several interior illustrations in pen-and-ink line art with a grey Ben-Day screen. Young's lessons themselves run only through page 58, and the additional six pages form a new chapter by an uncredited writer, titled "Putting Hypnotism to Use." This is filled with newspaper clippings that give accounts of hypnotism in America and Europe. One of them mentions "J. Louis Orton of Uxbridge, England," the author of "Hypnotism Made Practical," who had recently broken some kind of world record by hypnotizing a woman while they were in an airplane flying at 2,000 feet. This version of "25 Lessons" was widely reprinted in the 1970s with a cover of bright yellow card-stock, and had a considerable revival at that time.

The Johnson-Smith edition with the greyish cover transposes the title page subtitle to the cover, so the booklet is retitled as "25 Lessons in Hypnotism, Magnetic Healing & Personal Magnetism, Being the Most Perfect ..." It has been retypeset, and the font is so small, in order to fit it into 32 pages and leave room for 32 pages of ads, that it is almost unreadable. Not only that, but the type is placed in erratic blocks, more or less at the rate of one lesson per page, not completely filling the pages. The cover illustration, uncredited, is yet another stereotypical Svengali-and-Trilby image. The editing to remove the page number references to "The Science of Hypnotism" differs from the editing done in the Franklin Publishing / Padell Book Co. version. This edition was printed in 1938, as can be determined from the popular "new" dance fads mentioned in an ad for a book on dancing, and corroborated by the cryptic notation "387" -- July, 1938 -- on the back cover.

Last in my collection is the edition from Top Hat Magic Company in Evanston, Illinois, undated but from the 1950s, because the address lacks a zip code. Top Hat Magic was operated by Robert M. (Bob) Tracey, and sold magic tricks and novelties via mail order from the 1950s through the 1970s. This edition is an exact facsimile of the original 1899 edition, but because the original cover was printed in black-on-red, which could not be separated with the panchromatic film of the era, Tracey slapped on a plain white glossy typeset Kromekote cover rather than pay for cover art. In other words, in every way except for the cover, this version is identical to the 1899 edition. Like the original, it is titled, on the cover, "25 Lessons in Hypnotism: How to Become an Expert Operator."

"25 Lessons in Hypnotism" has remained in print for well more than a century because it is so succinct and easy to understand. Lou Ella Young did an admirable job of presenting clear instructions in hypnotism in a wide variety of social and clinical contexts, which she believed should be employed as "an educational agent, a curative agent, or a means by which the supernormal powers of the human mind may be studied to the best advantage." Small though it is, this is a must-have booklet for every hypnotist's library.

ACKNOWLEDGEMENTS

Thanks to nagasiva yronwode for above-and-beyond scanning and organizational help.